Famous
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24 Nov 2023 | 15:00 |
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The end of singer Orochi's relationship with influencer Lara Jucá has caused people to talk, due to accusations of betrayal on his part. Yasmin Lisboa, 20, is the one who revealed the entire affair she had with the rapper. The young woman guarantees that she had hot moments in the artist's dressing room.
Yasmim states that the thing with the singer in his dressing room didn't just stop at the kiss. She confirmed that the two had sexual intercourse: "There was something more. There was everything and he wanted to continue at the hotel. He told us to go there and enjoy it, that it would be really cool and that we should go alone", the influencer told column Mariana Morais.
The betrayal, according to Yasmim, happened on September 9th, after an interaction between the two via social media: "I was at an event [where Orochi was performing] and I reacted to a story. He reacted in kind He came back calling me to go to his dressing room, but I was with a friend. He said come alone, my security guard is up front. And I went. We stayed inside, and he asked me to go to a hotel with him , and I said I wouldn't go because I was with a friend and he didn't want her to go with me, for fear of the situation getting out, as it ended up happening", she explained.
Lara Jucá, Orochi's girlfriend at the time, discovered the betrayal alone and went after Yasmim to confirm everything. It was from there that Lara got the proof she needed, before putting an end to her relationship with the singer. However, Yasmim states that, in addition to sending the print of the conversation with the artist, she apologized to Lara for having stayed with him, even though she knew he was already committed.
"She was the one who arrived at me and I already I imagined whatever it was. She asked me if I was the one who had stayed with him. I said yes. She asked me for a print of the conversation and I sent it. I apologized to her for what I did and that was it. Even though I was single , at the time, and had no responsibility in a relationship with anyone", she said, and guarantees she has no regrets. "I don't regret it. Today I'm dating and I wouldn't do anything like that, because I respect my relationship", she added.
Defender denies delays in child support payments, criticizes false information and confirms that all payments are duly proven in court
28 Ago 2025 | 20:59 |
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Flamengo defender Léo Pereira spoke out this Thursday (28) after news reports circulated that alleged a delay in the payment of child support for his two children with his ex-wife, Tainá Castro. In an official statement signed by his lawyers, the player categorically denied any outstanding payments and criticized the dissemination of false information.
According to the Leo Dias website, the athlete was reportedly notified by a court official due to his default, in addition to appearing at a hearing for family matters. Léo Pereira, however, denied the first part of the information, confirming only that the hearing took place, the content of which cannot be revealed, as the proceedings are under judicial secrecy.
In their public statement, the defender's legal representatives were firm in stating that the athlete has never failed to fulfill his responsibilities to his children, Matteo and Helena. " The athlete Léo Pereira participated in a family court hearing today. As the proceedings are confidential, further details cannot be released. In light of the false reports published, the athlete reiterates that he is up to date with all his obligations to his children and has never defaulted on their child support payments," the statement reads.
The lawyers also emphasized that all obligations are documented and proven in court. "All payments have been duly made and proven in court. The information disclosed is not true. The athlete reaffirms his commitment to transparency and warns that any false publication that affects his honor or that of his family will be subject to appropriate legal action," the statement added.
While dealing with legal issues, Léo Pereira continues to work normally with the Flamengo squad. The next challenge will be against Grêmio, on Sunday (31), at 4 pm (Brasília time), at Maracanã, for the 23rd round of the Brazilian Championship. The defender should be available to the coaching staff for the match.
Iconic singer of Rio music and supporter of Mais Querido, master of partido-alto and founder of Cacique de Ramos, passed away this Friday
08 Ago 2025 | 15:48 |
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Samba lost one of its greatest references this Friday (8): Arlindo Cruz passed away at the age of 66 in Rio de Janeiro. Recognized for his vast work with 795 registered compositions, the samba singer marked generations with hits such as “Saudade Louca” and “Boto Meu Povo na Rua” . Born in Madureira, the birthplace of Rio samba, Arlindo was also a passionate Flamengo fan.
His retirement from the stage occurred after suffering a stroke in 2017, which impacted his career and health. Family members confirmed his death, without disclosing the official cause, but emphasized the artist's cultural legacy and his love for soccer, especially for the "Mais Querido" (Most Beloved). The wake will be open to the Rio de Janeiro community.
The son of Arlindão, who had meetings with samba artists like Candeia at home, Arlindo Cruz immersed himself in the musical world from an early age. At 17, he began his professional career as a cavaquinho player on Candeia's 1975 album "Roda de Samba." Over time, he became known for his mastery of the banjo, an instrument he helped popularize in samba and which became his trademark.
A central figure in the founding of the Cacique de Ramos samba circle, the musician rubbed shoulders with greats such as Zeca Pagodinho and Jorge Aragão. With Fundo de Quintal, a legendary samba group, he recorded 10 albums that helped cement the genre . From the 1990s onward, he developed a solo career with successful albums such as "Arlindinho" (1993) and important collaborations with producer Sombrinha.
Madureira, a neighborhood that forged its cultural and musical identity, was the setting for compositions that celebrated everyday life, street smarts, and the richness of Rio's samba. A strong connection to Flamengo was present in his daily life: Arlindo frequented the Maracanã stadium, participated in club events, and received tributes on special occasions , cementing his status as a Flamengo icon.
The club is accused of using "Clube da Esquina nº 2" without authorization in the advertisement for the number 9, in a video published on social media in January 2025
04 Ago 2025 | 14:00 |
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Singer Milton Nascimento and record label Sony Music filed a lawsuit against Cruzeiro Esporte Clube, alleging the improper use of the song "Clube da Esquina nº 2". The work, written by Milton, Lô Borges and Márcio Borges , was allegedly used without authorization in a video posted on the club's social media in January 2025, during the announcement of Gabigol's signing from Flamengo.
According to information published by the newspaper O Globo, the video was produced and released by Cruzeiro without the proper authorization of the artists involved in the song's creation . Sony Music , which represents the copyright of the work, is seeking compensation for material damages, while Milton Nascimento and the Borges brothers are seeking compensation for moral damages.
The court order stipulates a sum of R$50,000 for each of the songwriters involved . Despite the good relationship between the artist and the Minas Gerais club in the recent past, the lawsuit remains ongoing due to the dispute between the parties.
In 2022, after announcing his retirement from the stage at the age of 80, Milton Nascimento was honored by Cruzeiro at a concert held at the Mineirão stadium in Belo Horizonte. On the occasion, the singer received a personalized jersey from the team and a letter describing him as " Cruzeiro's international ambassador ."
The lawsuit highlights the importance of respecting copyright when using musical works, especially in advertising materials and highly visible social media content . Despite the history of tributes, the composers claim that the lack of formal consent for the use of the song violates their rights and compromises the recognition of the intellectual property involved.
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